Where the names live.

The names, listed

• The Saladan · Ban Saladan. The pier town at the north tip, where the ferries land and the fruit boats come in. It gave its name to the one deliberately playful piece of the house, watermelon and palm.
• The Long Beach · Phra Ae, the Long Beach. The long pale beach the island is known for. Its namesake is the open-net sling that stretches to hold more than it should, five colourways, each one of one.
• The Low Tide · The low-tide flats. Twice a day the sea pulls back and the flats turn pale and rinsed. The ombré hobo is that hour worked in cord, dove at the rim falling to charcoal.
• The Karst · The karsts. The limestone towers that stand up out of the water offshore. The structured espresso tote is built the same way: it stands on its own.
• The Old Town · Lanta Old Town. A single row of century-old teak houses on stilts over the sea. One of them is the atelier; the quiet ecru shopper with leather handles carries the name.
• The Maker · The teak house. The house itself, where every piece is made. A hundred years over the water, one maker, one room at the sea end.
• The Cowrie · The tide line. The beach below the house, where the tide lines up small shells each morning. The ivory shell-stitch crossbody is worked in rows of the same fans.
• The Sandbar · The sandbar. It surfaces off the river mouth an hour after the tide turns, warm sand above the water. The neat flap crossbody borrows its colour and its calm.
• The Monsoon · The open water. An hour before the rain the sea goes to a deep saturated blue that exists in no other season. The most saturated piece of the house is named for it.
• The Lanta · The island itself. Named for the whole island: the striped crossbody you take without thinking, which is the highest compliment we know.
• The Frangipani · The deck corner. The old frangipani leans over the deck and drops its flowers on the water. The little charm is its portrait, marigold heart and all.